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清末民初火花设计中吉祥文化的表现形式

陈丽莉

包装学报Issue(1):84-87,4.
包装学报Issue(1):84-87,4.

清末民初火花设计中吉祥文化的表现形式

Forms of Auspicious Culture in Design of Matchbox Pictures during Late Qing Dynasty and Early of the Republic of China

陈丽莉1

作者信息

  • 1. 湖南工业大学包装设计艺术学院,湖南株洲412007
  • 折叠

摘要

Abstract

The design of matchbox pictures of the late Qing dynasty reflected culture essence of China traditional auspicious culture with auspicious patterns, characters and colors. These three kinds of auspicious culture forms conveyed people' s aesthetic and cultural needs. In the respect of auspiciousness, the words of "blessing", "longevity", "wealth", "make big profits with small capital" and the use of numbers as one, three, five and nine are considered auspicious. As for the auspicious patterns, the "form" inheritance of traditional lucky design and the extension of "meaning" to convey meaning were mainly applied. Regarding the lucky colour, red standing for jubilance, yellow indicating rich and honour, and green representing vitality were mainly adopted, which expressed the rich emotions and the will of blessing and praying of Chinese nation. These designs have the effects of displaying the strengths. Further analysis and experience of the design of matchbox pictures with auspicious culture forms contribute to designing the nationalized and individualized works.

关键词

清末民初/火花设计/吉祥文化

Key words

late Qing Dynasty and early Republic of China/the design of matchbox picture/auspicious culture

分类

社会科学

引用本文复制引用

陈丽莉..清末民初火花设计中吉祥文化的表现形式[J].包装学报,2012,(1):84-87,4.

包装学报

1674-7100

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