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《金陵十三钗》:兽性、人性与神性

赵明

华北水利水电学院学报:社会科学版2012,Vol.28Issue(3):97-99,3.
华北水利水电学院学报:社会科学版2012,Vol.28Issue(3):97-99,3.

《金陵十三钗》:兽性、人性与神性

The Flowers of war :Bestialit、Humanity and Divinity

赵明1

作者信息

  • 1. 西南大学中国新诗研究所,重庆400715
  • 折叠

摘要

Abstract

Yan Geling reproached and lashed out the cruel Japanese invaders against the background of a bloody Nanjing city, with a sense of historical responsibility. The film The Flowers of war exposed the invaders' shameless animal behaviors which make people bristle with anger. The screen writer portrayed the thirteen prostitutes in Nanjing and the church priest form a female' s perspec- tive, which highlighted the humanity. In the film, the thirteen prostitutes sacrificed their lives for the justice and the nation, which was sublimation from humanity to divinity. In a word, the screen writer wrote a moving hymn for the thireteen girls in Nanjing.

关键词

《金陵十三钗》/兽性/人性/神性

Key words

The Flowers of war/bestiality/humanity/divinity

分类

语言文学

引用本文复制引用

赵明..《金陵十三钗》:兽性、人性与神性[J].华北水利水电学院学报:社会科学版,2012,28(3):97-99,3.

华北水利水电学院学报:社会科学版

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1008-4444

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