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宋代院体人物画与花鸟画造型发展不平衡之因由

王玉

华侨大学学报:哲学社会科学版Issue(2):105-110,6.
华侨大学学报:哲学社会科学版Issue(2):105-110,6.

宋代院体人物画与花鸟画造型发展不平衡之因由

The Reasons of Imbalance Development in Formation about Figure Painting and Flowe-and-bird Painting in Song Dynasty

王玉1

作者信息

  • 1. 四川农业大学风景园林学院,四川成都611130
  • 折叠

摘要

Abstract

Generally speaking, in the processing of development and evolution, paintings with different subjects under the same painting system, their idea of art and skills and materials ought to be in the same development level, but in the hey- day of literature and art in Song Dynasty, figure painting, flower-birds painting and landscape painting in meticulous-style paintings came to different in expression, the expression way of landscape painting is very different with figure painting and flower-birds painting because of its object have specific characteristic, but the formation of figure painting and flower-birds painting developed imbalance, although they have the same expression way. Flower-birds painting appears much more meticulous and realistic in formation, while figure painting relatively generalized and decorative in formation. Both of them were born in Royal Academy of Song Dynasty, but they have different expressions, this is very rare in other country art history. The reason caused the imbalance include : different traditional learning method and painting theory, influence of feudal moral, the function of the two topics has its own particular emphasis and size of a picture.

关键词

花鸟画/人物画/造型法则/气韵生动/写生

Key words

flower-birds painting/figure painting/modeling law/lively/sketch

分类

艺术学

引用本文复制引用

王玉..宋代院体人物画与花鸟画造型发展不平衡之因由[J].华侨大学学报:哲学社会科学版,2012,(2):105-110,6.

华侨大学学报:哲学社会科学版

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