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西方美学中的水意象初探

齐佳敏

广东海洋大学学报2012,Vol.32Issue(2):84-87,4.
广东海洋大学学报2012,Vol.32Issue(2):84-87,4.

西方美学中的水意象初探

Exploring the Image of "Water" in Western Aesthetics

齐佳敏1

作者信息

  • 1. 湛江师范学院基础教育学院,广东湛江524300
  • 折叠

摘要

Abstract

Although natural matter has seldom been the focus of Western Aesthetics, scattered views relating to nature can be located. This paper conducts a brief exploration on the image of water in Western Aesthetics and groups them into four approaches. Firstly, Thales views water as the origin of the world; Secondly, Neo-Platonists regards water as a medium in aesthetics; Thirdly, Romantics use water as a metaphor to describe the flow of inspiration or the reflection of mind in their organic aesthetics; Lastly, Bachelard and Foucault consider water as a symbol of irrationality. The four views "origin梡ragmatic梕xpressive梌anti-rational" has a diachronic order.

关键词

/西方美学史/自然美/巴士拉

Key words

water/ Western Aesthetics/ Beauty of Nature/ Bachelard

分类

社会科学

引用本文复制引用

齐佳敏..西方美学中的水意象初探[J].广东海洋大学学报,2012,32(2):84-87,4.

广东海洋大学学报

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