南华大学学报：社会科学版2012，Vol.13Issue(6)：124-129,6.
六朝书法美学及其自然主义精神
The Calligraphy Aesthetics in the Six Dynasties and it's Spirit of Naturalism
摘要
Abstract
The calligraphy aesthetics in the six dynasties has formed its underlying system, with its developing on the base of the Han Dynasty. The calligraphy pursues variety, taste, possibility of expression. Meanwhile, the calligraphy aesthetics sums up many new ways of art creation, and it especially lays stress on art creation acquiring spirit from nature. In terms of the Theory of Work, it lays stress on not only the beautiful and charming but also the natural, and forms the art characteristic of "Esteeming Yun". In terms of appreciation of calligraphy, it pursues the concrete and objective, and makes theory and practice help each other. The category "Shen" and "Pin" come out, which indicates abundant form creation in calligraphy art, and gets over form itself, from Reality into Unreality. For the Theory of Creation, the Theory of Work, the Theory of appreciation, they all have spirit of naturalism, and it is an important characteristic of Chinese calligraphy.关键词
六朝书法美学/自然主义/意/妍媚/品Key words
the calligraphy aesthetics in the six dynasties/naturalism/Yi/beautiful and charming/Pin分类
社会科学引用本文复制引用
左剑峰..六朝书法美学及其自然主义精神[J].南华大学学报：社会科学版,2012,13(6):124-129,6.基金项目
2010年度国家社科基金项目“中国古代时空美学研究”资助 （）
