中国矿业大学学报：社会科学版2012，Vol.14Issue(4)：121-127,7.
明末清初“士人“与”优伶”关系新探——以《陶庵梦忆》为中心
Research on the Relationship of "Scholars" and "Actors and Actresses": focus on Taoanmengyi
摘要
Abstract
During the last phase of political maladjustment, troubled times or some special times, the reconciliation between "scholars" whose talent unrecognized and political authority breaks up. Both scholars and "actors or actresses", who are under the oppresssion of the political authority, start to form a compassion for each other through the same affliction. Zhang Dai's Taoanmengyi can be deemed as an incisive portrait of the relationship between "scholars" and "actors or actresses". Deeply analyzing the text of Taoanmengyi can find that "scholars" began to appreciate "actors or actresses" as a goup of independent individuals with their own feelings and souls, while the uneasy environment awakened some "actors or actresses" to their self--consciousness. In trouble time, they even support some "scholars" materially and comfort them spiritually. As more and more " scholars" plunging into the acting activities, the boundary between "scholars" and "actor or actresses" have been blurred. This new relationship between "scholars" and "actors or actresses" is inseparable from the special sociopolitical, economic, cultural and ideological background during the late Ming and early Qing Dynasties.关键词
《陶庵梦忆》/“士人”/“优伶”Key words
Taoanmengyi/"scholars"/"actors or actresses"分类
社会科学引用本文复制引用
陈文新,高添璧..明末清初“士人“与”优伶”关系新探——以《陶庵梦忆》为中心[J].中国矿业大学学报：社会科学版,2012,14(4):121-127,7.
