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温克尔曼的“诗画一致”论及其反思

杨向荣 龙泠西

阅江学刊Issue(1):98-104,7.
阅江学刊Issue(1):98-104,7.

温克尔曼的“诗画一致”论及其反思

Winkelmann s Theory of “Similarity of Poetry and Painting” and Its Reflection

杨向荣 1龙泠西1

作者信息

  • 1. 湘潭大学,湖南 湘潭411105
  • 折叠

摘要

Abstract

Winkelmann�s theory of “the similarity of poetry and painting” expounds the isomorphism of poetry and painting, from the perspective of ideal aim, essence, content, form, performance of the art of poetry and painting. Winkelmann theoretically established the connection between poetry and painting, forming a sys-tematic theory of “the similarity of poetry and painting”. It offers an academic origin of Lessing�s heterogeneity of poetry and painting theory. At the same time, Winkelmann�s theory of “similarity of poetry and painting” is also a kind of theoretical forms and thoughts of the relationship between poetry and painting. It provides a theo-retical support of the study on the relationship between the image and text in the current time of picture reading.

关键词

温克尔曼/诗画一致/诗画关系

Key words

Winkelmann/similarity of poetry and painting/relationship between poetry and painting

分类

社会科学

引用本文复制引用

杨向荣,龙泠西..温克尔曼的“诗画一致”论及其反思[J].阅江学刊,2014,(1):98-104,7.

基金项目

第51批中国博士后科学基金面上资助项目“文学与图像关系研究基于‘语-图’关系史的考察”(2012M510063);第6批中国博士后科学基金特别资助项目“图文关系的学理 ()

阅江学刊

OACHSSCD

1674-7089

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