摘要
Abstract
Composition and creation of the symbolic drama imagery,with the representative of“Thunderstorm”,“Sunrise”,“Field”and “Beijing People”,not only convey the profound rational spirit (exposure and critical)in Cao Yu’s four tragedies,but also include a surreal and metaphysical inquiry about fate,namely,recognizing and thinking “fate”.关键词
曹禺/《雷雨》/《日出》/《原野》/《北京人》/意象/象征/命运Key words
Cao Yu/Thunderstorm/Sunrise/Field/Beijing People/imagery/symbolization/fate分类
社会科学
