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“元四家”山水画的隐逸特征

卞冬仙

镇江高专学报Issue(1):116-119,4.
镇江高专学报Issue(1):116-119,4.

“元四家”山水画的隐逸特征

Seclusive characteristics of landscape paintings by the four renowned artists in the Yuan Dynasty

卞冬仙1

作者信息

  • 1. 江苏联合职业技术学院镇江分院 财经艺术系,江苏 镇江 212016
  • 折叠

摘要

Abstract

The four renowned artists in the Yuan Dynasty made a spiritual fusion of hands and ink in the long-term practice of painting.They expressed the painters’subjective state of mind by depicting the images with emphasis on spiritual similarities and ignorance of the objective shapes.Such practice of painting gradually developed into a style of landscaoe paintings worshiping confort and spirit.Literati painters advocated “leisure pen in painting,not for the shape”with the aesthetic pursuit of“Free from vulgarity”and “self entertainment”,which reflects the con-bination of the literati painters’ “hidden”with the landscape painters’ “ease”.

关键词

元四家/黄公望/倪瓒/吴镇/王蒙/山水画/写意/隐逸

Key words

the four renowned artists/Huang Gongwang/Ni Zan/Wu Zhen/Wang Meng/landscape painting/conceptional expression/seclusion

分类

社会科学

引用本文复制引用

卞冬仙..“元四家”山水画的隐逸特征[J].镇江高专学报,2014,(1):116-119,4.

镇江高专学报

1008-8148

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