重庆交通大学学报（社会科学版）Issue(2)：92-96,121,6.
论吴体诗
On Wu-Style Poetry
摘要
Abstract
The denotation of Wu-style poetry began to constantly expand after Tang Dynasty. This fact is adverse to our objective understanding of the Wu-style poetry’s characteristics. There are only nine poems with the title of Wu-style which were written by Du Fu,Pi Rixiu and Lu Guimeng were identified as Wu-style in Tang Dynasty. Through the generalization of the rhythm norm of seven-character-Yong Ming,the statistics of the mistakes of Wu-style poetry,and the comparison of compound rhythm,the re-sults show that the Wu-style specifically refers to the seven-character-triolet with flat rhyme. Wu-style poetry is very particular o-ver the antithesis and four tones separation. It pays special attention to four tones’ opposition of four words and seven words,ex-cept the level tone. It also lays emphasis on level and oblique tones’ opposition of seven words and fourteen words,except the rhyme of first sentence. In Wu-style poetry,the affiliate degree of rhythm between the sentences and couplets is slightly low. The Wu-style poetry combines the simple sentence with compound rhythm,and its rhythm belongs to the broad Yong-Ming-style rhythm.关键词
杜甫/吴体/永明声律/四声八病Key words
Du Fu/Wu-style/Yong-Ming-style rhythm/four tones eight problems分类
社会科学引用本文复制引用
林桢..论吴体诗[J].重庆交通大学学报（社会科学版）,2015,(2):92-96,121,6.基金项目
喀什师范学院研究生科研创新课题“吴体诗研究” （）
