Journal of Changshu Institute of TechnologyIssue(3)：69-76,8.
民国词坛“四声之争”钩沉--以午社词人为中心
An Argument about Four Tunes during the Republic of China Period：Focus on Wushe Ci Club
摘要
Abstract
Since the late Qing Dynasty, writing Ci following the rule of four tunes has been a sweeping trend. Its ac-cumulated disadvantages have sparked widespread disputes of ci-writers of the Republic of China. Those from the Wushe Ci Club such as Mao Heting, Xia Chengtao, Long Yusheng, Wu Xiang, Xia Jingguan once had an intensive and fierce argument about it. Some were in favor of four tunes while others were strongly opposed. The argument has also attracted Zhang Ertian and Shi Zejing to join in the discussion. Their various attitudes towards four tunes actually present the attempt to seek the musical attributes of Ci from literal rules and forms.关键词
民国词/四声之争/午社/冒鹤亭/夏承焘/龙榆生/吴庠Key words
Ci of the Republic of China/argument about four tunes/Wushe Ci Club/Mao Heting/Xia Chengtao/Long Yusheng/Wu Xiang分类
社会科学引用本文复制引用
薛玉坤,罗俊龙..民国词坛“四声之争”钩沉--以午社词人为中心[J].Journal of Changshu Institute of Technology,2014,(3):69-76,8.基金项目
教育部人文社会科学研究规划基金项目“民国词人群体研究” （）
