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论《生死疲劳》对传统文化的承续与超越

申慧芳

六盘水师范学院学报Issue(3):34-37,4.
六盘水师范学院学报Issue(3):34-37,4.DOI:10.16595/j.1671-055X.2015.03.008

论《生死疲劳》对传统文化的承续与超越

Discuss“Life and DeathAre Wearing MeOut”for Inheritance and Transcendence of the Traditional Culture

申慧芳1

作者信息

  • 1. 安徽大学文学院,合肥230039
  • 折叠

摘要

Abstract

“LifeandDeathAreWearingMeOut”is another masterpiece of MoYan after his“Sandalwood Penal⁃ty”The novel based on his personal growth with the aid of chapter the creation of the form of direct dialogue nourish the soul of classical Chinese novels, through the hero Simon of samsara, conveyed to the review of the traditional religious taboo. Mo Yan , who is childlite innocent and rebellious , has also combined with modern and history, successfully made a breakthrough from the traditional way of creating characters, making novelist“MoYan”in imagination as well as in reality to reach the goal of surpassing and carring on the traditional cul⁃ture.

关键词

《生死疲劳》/章回体/宗教/人物形象

Key words

Life and Death Are Wearing Me Out/chapter/religion/character

分类

社会科学

引用本文复制引用

申慧芳..论《生死疲劳》对传统文化的承续与超越[J].六盘水师范学院学报,2015,(3):34-37,4.

六盘水师范学院学报

1671-055X

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