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米芾“集古字”与“二王”摹本的关系及意义

杨豪良

湖北文理学院学报Issue(4):15-18,4.
湖北文理学院学报Issue(4):15-18,4.

米芾“集古字”与“二王”摹本的关系及意义

Significance and Relationship Between Mi Fu’ s“Jiguzi” and Wang Xizhi and Wang Xianzhi’ s Facsimile

杨豪良1

作者信息

  • 1. 湖北文理学院 美术学院,湖北 襄阳 441053
  • 折叠

摘要

Abstract

Mi Fu learned from other masters in the process of creating“Jiguzi”, which could be classified into two periods:broad sucking before he was 32 years old, then“directional Jigu”, opening a new learning style of“copy-accumulation-transformation”, that is, learning from the ancients based on self -centered style.Mi Fu’ s“Jiguzi” conveyed three meanings:first, the character itself;second, the method;third, the culture.The object for the “directional Jigu” is the calligraphy in Wei-Jin Dynasty, represented by Wang Xizhi and Wang Xianzhi. Mi Fu’ s“Jiguzi” promoted the collection, carving and the wide spread of writing scripts of“Two Wangs”, and en-sured the inheritance of Two Wangs’ calligraphy styles, which produced great influence on the later development of calligraphy.

关键词

米芾/集古字/王羲之/王献之

Key words

Mi Fu/Jiguzi/Wang Xizhi/Wang Xianzhi

分类

社会科学

引用本文复制引用

杨豪良..米芾“集古字”与“二王”摹本的关系及意义[J].湖北文理学院学报,2015,(4):15-18,4.

湖北文理学院学报

OACHSSCD

2095-4476

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