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淮滨泥叫吹与淮阳泥泥狗的文化意蕴变迁

张睿

信阳师范学院学报(哲学社会科学版)Issue(6):96-99,4.
信阳师范学院学报(哲学社会科学版)Issue(6):96-99,4.

淮滨泥叫吹与淮阳泥泥狗的文化意蕴变迁

Cultural Meaning of Nijiaochui in Huaibin and the Mud Dog in Huaiyang

张睿1

作者信息

  • 1. 信阳师范学院美术学院,河南信阳464000
  • 折叠

摘要

Abstract

The Nijiaochui in Huaibin and the Mud Dog in Huaiyang are both the clay sculpture artwares with very special national fea-tures.According to research, Huaibin and Huaiyang both belong to the ancient Huaiyi area, included in Dongyi and Liangyu groups in primitive tribes which used the sun and bird totem as their worship.But, the creation of contemporary Nijiaochui in Huaibin and sand mound nagao terracotta birds as the representative in Early Longshan culture are from the same strain, which are primitive, quite simi-lar in form and spirit.However, the creative forms and cultural connotation have had a greater change in contemporary Mud Dog in Huaiyang.

关键词

淮滨泥叫吹/淮阳泥泥狗/淮夷/文化内涵

Key words

Nijiaochui in Huaibin/the Mud Dog in Huaiyang/Huaiyi/cultural connotation

分类

社会科学

引用本文复制引用

张睿..淮滨泥叫吹与淮阳泥泥狗的文化意蕴变迁[J].信阳师范学院学报(哲学社会科学版),2014,(6):96-99,4.

基金项目

河南省非物质文化遗产研究课题 ()

信阳师范学院学报(哲学社会科学版)

OACHSSCD

1003-0964

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