北方壁画墓乐舞百戏图像与汉晋之际"焦点式身体"的生成OACHSSCD
On Acrobatis Murals in Tombs of Han and Jin Dynasty
研究将以汉晋之际为例,以墓葬壁画中的乐舞百戏图像为具体对象,通过三方面来阐释图像在观念史上的有效性:身体要素在图像中的不同组合情况,表征着特定时期的人们对个体身体的不同理解;个体身体和整体场景之间的互动,使图像中的身体开始具有时空的特征;图像为身体规定了存在的场域,并赋予其焦点性的地位.
This study is mainly ba sed on an analysis of murals in tombs of Han and Jin dynasty. Three points will be demonstrated and explained:different combining patterns of body parts exhibiting different compre-hensions of human body in varies eras; the interaction between individual bodies and frontier environments enti-tling the body in images with features of space-time; images stipulating the body's existential circumstances mak-ing it the focus of…查看全部>>
李想
北京大学 哲学系,北京 100871
社会科学
墓葬壁画乐舞百戏汉代魏晋
tombs muralsacrobatis in dancingHan DynastyWei and Jin Dynasty
《河北民族师范学院学报》 2015 (4)
34-38,5
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