重庆邮电大学学报（社会科学版）Issue(6)：118-123,6.DOI:10.3969/j.issn.1673-8268.2015.06.020
意象的方法论意义与诗画互补之美学意蕴的形成路径
Methodology of Combining Meaning and Image and the Methods of Painting-and-poetry Complementarity
王赠怡1
作者信息
- 1. 四川文理学院，四川 达州 635000; 中国人民大学 哲学院，北京 100872
- 折叠
摘要
Abstract
The philosophical meaningfulness of meaning and image for painting-and-poetry complementarity in Tang and Song Dynasties is that those categories centering on meaning and image shed light on the painting-and-poetry complemen-tarity by the methodology.On the one hand,with the two-dimensional framework of meaning and image,meaning experi-entially directs people’s thoughts of creation to poetry,and image to painting.On the other hand,people are not con-fined to the habitual experience of utilizing image to interpret meaning,and they get to realize the prescriptive effect of meaning on image.Therefore,methodologically,people experientially convert the abstract existence of meaning into spe-cific art existence of poetry,and they convert image into painting.Meanwhile,the combination of meaning and image is experientially converted into the painting-and-poetry complementarity.关键词
意象/方法论/诗画互补/美学意蕴/形成路径Key words
meaning and image/methodology/painting-and-poetry complementarity/aesthetic meaning/methods分类
社会科学引用本文复制引用
王赠怡..意象的方法论意义与诗画互补之美学意蕴的形成路径[J].重庆邮电大学学报（社会科学版）,2015,(6):118-123,6.
