华北水利水电大学学报（社会科学版）Issue(5)：125-127,3.
贾平凹笔下“疯子·女神·城里人”的叙事模式--以《商州》《秦腔》为例
The Narrative Mode of “the Madman, the Goddess and the Oppidan” of Jia Pingwa---With Shangzhou and Qinqiang as an Example
黄鋆鋆1
作者信息
- 1. 郑州大学 文学院，河南 郑州450001
- 折叠
摘要
Abstract
The madman, the goddess and the oppidan is a unique mode of Jia Pingwa’ s local novels. The goddess of the local beauty and traditional culture, gives a choice between the madman which represents the irrational, ugly side of the country and the op-pidan of "city of agricultural origin", which is also the conscious choice of the intellectuals represented by Jia Pingwa when faced the value choice of urban and rural areas on own initiative:leave the country and enter the city. The direct consequence of the choice is no root and lost, which is not only the tragedy of this generation intellectuals, but also it is the tragedy of native and the culture them-selves.关键词
贾平凹/女神/城乡选择/农裔城籍Key words
Jia Pingwa/goddess/urban and rural choice/city of agricultural origin分类
社会科学引用本文复制引用
黄鋆鋆..贾平凹笔下“疯子·女神·城里人”的叙事模式--以《商州》《秦腔》为例[J].华北水利水电大学学报（社会科学版）,2015,(5):125-127,3.
