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清代“彩帨”的形制与图案

梁惠娥 李坤元

丝绸2016,Vol.53Issue(10):52-57,6.
丝绸2016,Vol.53Issue(10):52-57,6.DOI:10.3969/j.issn.1001-7003.2016.10.010

清代“彩帨”的形制与图案

Structure and pattern of “Caishui” in Qing dynasty

梁惠娥 1李坤元2

作者信息

  • 1. 江南大学 纺织服装学院,江苏 无锡214122
  • 2. 江南大学 江苏省非物质文化遗产研究基地,江苏 无锡214122
  • 折叠

摘要

Abstract

In Qing dynasty, the feudal ruling class had strict hierarchy, and the costume was luxurious and exquisite. Clothing accessories and materials varied with the identities and occasions. The costume was one of the main indicators to distinguish different status. “Caishui”, is an accessory scarve worn by concubines in the palace of Qing dynasty. Based on the literature, and assisted with specific image research, this paper makes comprehensive discussion on the emergence of form, characteristics, functionality and pattern of “Caishui” and clarifies the source of the concept of “Caishui” and the evolution from practical functions to decorative functions. This paper mainly analyzes its political and cultural connotation. The study has shown that the form, color, pattern of“Caishui” are the main marks of the status of concubines in the palace of Qing dynasty and have a strong symbolic function, which indicate the political symbolic significance of traditional costume from a part to the whole.

关键词

清代/彩帨/佩巾/形制/图案/功能

Key words

Qing dynasty/Caishui/accessory towels/structure/pattern/function

分类

轻工纺织

引用本文复制引用

梁惠娥,李坤元..清代“彩帨”的形制与图案[J].丝绸,2016,53(10):52-57,6.

基金项目

国家社会科学基金资助项目(12BMZ049) (12BMZ049)

丝绸

OA北大核心CSCDCSTPCD

1001-7003

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