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清末、民国时期上海地区绘画鉴藏方式的嬗变

李淑辉

镇江高专学报2017,Vol.30Issue(1):104-108,5.
镇江高专学报2017,Vol.30Issue(1):104-108,5.

清末、民国时期上海地区绘画鉴藏方式的嬗变

Change of painting connorisseur ways in Shanghai area in the Late Qing Dynasty and the Period of the Republic of China

李淑辉1

作者信息

  • 1. 上海应用技术大学 艺术与设计学院,上海 200233
  • 折叠

摘要

Abstract

In the Late Qing Dynasty and the period of the Republic of China,the private painting connorisseur reached another peak during the whole history.In this period,there were lots of changes which happened in paint-ing connorisseur ways:from Suzhou connorisseur focused on appreciation and textual to Shanghai connorisseur em-phasied on the intergration of multi ways like description,identification,brush strokes,images.These changes were caused by the changes of connorisseur identity and environment.The combing and analysis of the change helps us to re-examine some current opinions.Analysis of the changes helps to reconsider the present view that traditional painting appraisals mostly depend on perceptual experience and only care the result of right or wrong without basis.

关键词

上海地区/绘画/鉴藏方式/嬗变

Key words

Shanghai area/painting/ways of connorisseur/change

分类

社会科学

引用本文复制引用

李淑辉..清末、民国时期上海地区绘画鉴藏方式的嬗变[J].镇江高专学报,2017,30(1):104-108,5.

基金项目

上海市教委科研创新项目 ()

镇江高专学报

1008-8148

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