常州大学学报(社会科学版)2017，Vol.18Issue(1)：98-104,7.DOI:10.3969/j.issn.2095-042X.2017.01.013
晚明书画艺术的情感本性观念考论——以徐渭和董其昌为主要考察对象
On Emotion Nature of Calligraphy and Painting in the Late Ming Dynasty-Taking Xu Wei and Dong Qichang as Major Objects of Study
摘要
Abstract
In the late Ming Dynasty, the trend of humanistic thoughts promoted the awakening of subject consciousness and self-consciousness in the art field, which led to the prosperity of the literati painting and calligraphy to express emotions.The theory of painting and calligraphy was remarkable, and the emotion nature of art was expressed the most vividly.There emerges Xu Wei, Dong Qichang and other well-known painters and calligraphers and theorists.They emphasized natural temperaments and subjective spirits, advocated the ink sentiment, pursued formal beauty, and integrated poetry, painting and calligraphy.Therefore, the mainstream position of literati painting was established.The characteristics of self-entertainment and lyricism of the literati's painting and calligraphy further demonstrated the emotional nature of calligraphy and painting, and affected the development and evolution of landscape painting in later Ming Dynasty.关键词
情感本性/书画艺术/徐渭/董其昌/晚明Key words
emotion nature/art of calligraphy and painting/Xu Wei/Dong Qichang/the late Ming Dynasty分类
社会科学引用本文复制引用
吴衍发..晚明书画艺术的情感本性观念考论——以徐渭和董其昌为主要考察对象[J].常州大学学报(社会科学版),2017,18(1):98-104,7.基金项目
国家社科基金艺术学项目"晚明书画消费与文人生活"(16BA008). （16BA008）
