西南交通大学学报（社会科学版）2017，Vol.18Issue(3)：23-29,7.
国家会客厅影像式在场:作为批评工具的国家形象和纪录片效果
Screenage as National "Living Room": National Image and Documentary Functioning as a Critical Paradigm
摘要
Abstract
In the modern family,the living room is an important space to display the image of the family.Likewise,documentaries,by creative processing of realities,exhibit multidimensional images of a country,playing the role of national living room in world communication.Documentaries and the national image created by the people of the nation are in a relation of isomorphism,both physically in freedom and spiritually in imagination.As a kind of image criticism tool,"national image" could re-interpret the social value of all types of documentaries.As a result,documentaries can function as the national "living room",the international exchange of perception is thus shaped through the ferry,interaction and balance between the image space and the reality of society.Documentaries need incessantly to be brought back to the complicated social and real people,to make the image of the space of the national "living room" more objective and credible.It is necessary to form an effective dialogue with other functions of the images to promote the diversity and perfection of the national "living room".关键词
纪录片功能/国家形象/大众媒介/客厅文化/批评工具Key words
documentary function/national image/mass media/lounge culture/criticism tool分类
社会科学引用本文复制引用
王华..国家会客厅影像式在场:作为批评工具的国家形象和纪录片效果[J].西南交通大学学报（社会科学版）,2017,18(3):23-29,7.基金项目
国家社会科学基金项目"民族影像与国家形象塑造:新时期少数民族题材纪录片变迁和传播研究(1979至今)"(11CXW012) （1979至今）
