| 注册
首页|期刊导航|陶瓷|论元青花瓷龙纹的审美与文化

论元青花瓷龙纹的审美与文化

王芳

陶瓷Issue(9):62-65,4.
陶瓷Issue(9):62-65,4.

论元青花瓷龙纹的审美与文化

Aesthetic Meaning and Cultural Connotation of Blue And White Dragon's Argument

王芳1

作者信息

  • 1. 中共景德镇市委党校 江西 景德镇 333000
  • 折叠

摘要

Abstract

Yuan blue and white has a combination of Chinese ink painting and Mongolian Yuan,Islam and other cultural in-tegration,reflecting the cultural,artistic and practical combination of the three.The dragon is a very important part in the Yuan blue and white decorative theme,rich aesthetic connotation and profound cultural connotation.On the aesthetic con-notation of dragon,Yuan blue and white decorative beauty,with prominent characteristics,unique charm of natural beauty and rich cultural connotation,characteristics;Yuan blue and white dragon full of auspicious meaning,the harmonious de-velopment of the thriving and prosperous all-embracing cultural view,and comprehensive innovation spirit.

关键词

元青花瓷/龙纹/审美/文化

Key words

Yuan blue and white porcelain/Dragon lines/Aesthetic Implication/Cultural connotation

分类

化学化工

引用本文复制引用

王芳..论元青花瓷龙纹的审美与文化[J].陶瓷,2017,(9):62-65,4.

陶瓷

1002-2872

访问量0
|
下载量0
段落导航相关论文