摘要
Abstract
Unlike the dance-like wuxia (martial arts) highlighted in traditional Chinese wuxia movies, Xu Haofeng made the transformation from "the dancing of wu" to "the technique of wu", which enabled his unique aesthetic style and individualized creations to stand out. With sharp, swift and powerful action designs, complicated and diverse character images as well as profound civilization and philosophical reflections hidden inside, Xu's The Sword Identity, Arrow Arbitration, and The Master all exude an exclusive style of aesthetics, bringing new possibilities to the development of Chinese wuxia movies.关键词
徐浩峰/武侠电影/武打设计/形象设定/文化哲思/中庸之道Key words
Xu Haofeng/wuxia movie/action designs/character images/cultural and philosophical reflections/the doctrine of the Mean分类
社会科学
