南都学坛2024，Vol.44Issue(2)：52-61,10.
原型批评理论视域下宋代诗词树木意象蕴含
The Implication of Tree Images in Song Dynasty Poetry from the Perspective of Archetypal Criticism Theory
摘要
Abstract
In the 1960s,Northrop Frye first advocated the theory of archetypal criticism.Jung referred to collective unconsciousness as archetype,believing that archetype was a common image that existed from ancient times and was a form of national memory.The recurring tree imagery in Song Dynasty poetry is both realistic and historical,hiding primitive imagery.Any image prototype has a process of occurrence and development,and the Song Dynasty inherited and expanded the connotation of tree imagery from previous generations.Trees have both ecological and practical value,witnessing human suffering and glory until the end of time.Trees are the true friends of humanity,and the cultural connotations of tree imagery are rich,gathering the beacon of history.The same image,different emotions,and diverse ways and paradigms of appreciation can also be achieved.The trees depicted by Su Shi are witnesses of the burning of his own life and the materialization of countless hardships.Writing about trees is about writing about himself.Su Shi confirmed the prototype principle with his own creation and expressed his literary ideals.关键词
苏轼诗词/树意象/生态/快乐/苦难Key words
Su Shi's poetry/tree imagery/ecology/happiness/suffering分类
社会科学引用本文复制引用
杨景春,代梓莹,王海蓉..原型批评理论视域下宋代诗词树木意象蕴含[J].南都学坛,2024,44(2):52-61,10.基金项目
四川省省级课程思政示范课程《三苏文化概论》(项目编号:wj20n2y31r). （项目编号:wj20n2y31r）
