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浅谈江南山水在陶瓷绘画中的表现形式

詹彬

陶瓷Issue(3):43-45,3.
陶瓷Issue(3):43-45,3.

浅谈江南山水在陶瓷绘画中的表现形式

On the Expressive Forms of Jiangnan Mountains and Rivers in Ceramic Painting

詹彬1

作者信息

  • 1. 景德镇陶瓷大学 江西景德镇 333000
  • 折叠

摘要

Abstract

Landscape themes have been favored by various painters since ancient times.As the most representative form of traditional Chinese painting,landscape paintings are often presented in people's perspectives through artists'meticulous ob-servation and subjective processing of things in nature.Landscape painting has a long history and has been developing since the Sui and Tang dynasties,with increasingly diverse forms of expression,including meticulous freehand brushwork,ink,and green.Since the late Qing Dynasty and the early Republic of China,artists such as the Eight Friends of Zhushan have introduced landscape themes into ceramics,mainly represented by Wang Bu and Wang Yeting.The landscape painting scroll slowly unfolds in the art of ceramic painting.This article takes the aesthetic conception and artistic characteristics of Jiangnan mountains and rivers as an example to briefly describe the different forms of expression of mountains and rivers in ceramic painting.

关键词

江南山水/陶瓷/艺术创作

Key words

Jiangnan Mountainsand Rivers/Ceramics/Artistic creation

分类

化学化工

引用本文复制引用

詹彬..浅谈江南山水在陶瓷绘画中的表现形式[J].陶瓷,2024,(3):43-45,3.

陶瓷

1002-2872

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