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黑德马克博物馆及斯维勒·费恩的"地平线"

郭昊伦

建筑与文化Issue(4):268-271,4.
建筑与文化Issue(4):268-271,4.DOI:10.19875/j.cnki.jzywh.2024.04.081

黑德马克博物馆及斯维勒·费恩的"地平线"

Hedemark Museum and Sverre Fehn's"Horizon":

郭昊伦1

作者信息

  • 1. 同济大学建筑与城市规划学院
  • 折叠

摘要

Abstract

The term Horizon is an important design theory of Sverre Fehn.The paper addresses the definition of Horizon,making it the base for the personal deduction of Sverre Fehn,and concludes that Horizon,for Fehn,means a legitimation of domain,as well as an existence of earth.These two claims are applied as keys for the case study of Hedmark Museum to clarify the intimate relationship between the museum and its historical site,as well as the construction thought on the disappearance and reappearance of earth.

关键词

地平线/斯维勒·费恩/黑德马克博物馆/场所/建构特征

Key words

Horizon/Sverre Fehn/Hedmark Museum/place/construction

引用本文复制引用

郭昊伦..黑德马克博物馆及斯维勒·费恩的"地平线"[J].建筑与文化,2024,(4):268-271,4.

建筑与文化

1672-4909

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