湖北文理学院学报2024，Vol.45Issue(4)：47-52,6.
唐代诗词中屏风的性别化研究
Gendered Screens in Poems of the Tang Dynasty
孟雅婧 1张玉勤1
作者信息
- 1. 江苏师范大学 文学院,江苏 徐州 221116
- 折叠
摘要
Abstract
The screen is a common household item in ancient times,and its characteristics define the identity of the user.In the traditional family,it shows the grade difference between men and women.In the literature of the Tang Dynasty,the screen also presents the typical gender characteristics.The patterns on the screen in the female boudoir are mostly metaphors for women's emotional states.This type of screen also participates in the viewer's peeping at women.While the screen in intellectuals'study room is often elevated to a special cultural symbol,showing masculine characteristics and elite colors.Compared with the two,women's identity construction is passively completed under the prying eyes of others and in the imagination,while male intellectuals,as elites with political and cultural privileges,actively use the screen as a medium to highlight the spiritual outlook of intellectual groups.关键词
屏风/屏风画/唐诗/五代词/性别化Key words
screen/screen painting/poems of the Tang Dynasty/Ci of the Five Dynasties/gender typing分类
社会科学引用本文复制引用
孟雅婧,张玉勤..唐代诗词中屏风的性别化研究[J].湖北文理学院学报,2024,45(4):47-52,6.
