陶瓷Issue(5)：131-136,6.
传承·借鉴·融合
Inheritance,Reference and Integration——Mogu Flower Painting on Kangxi Zisha Tea Ware with Painted Enamel
姜郭霞 1潘师敏 1刘晓丽1
作者信息
- 1. 无锡工艺职业技术学院 江苏宜兴 214206
- 折叠
摘要
Abstract
According to the Qing palace archives and documents,there were 19 Enamel Tea vessels painted with purple sand during the reign of Kangxi.All of them are now collected in the National Palace Museum in Taipei.These national treasure class purple sand painted enamel tea vessels covered with gorgeous coats can be called the rarest and precious vessels in the history of ceramics.Starting from the boneless flower patterns on the only 19 purple sand embryo painted enamel tea ves-sels,this paper discusses the inheritance and characteristics of the above painting of purple sand vessels from three aspects:the inheritance background of decorative painting,the form of Western enamel art and the integration of Chinese and West-ern painting techniques and styles.In terms of the content,subject matter and expression style of the painting,they have been innovated on the basis of inheriting the boneless flower and bird painting of the Song Dynasty.To a certain extent,the process and techniques of enamel painting are affected by Western technology and painting style,and a variety of artistic styles are integrated to form the decorative painting of purple sand fetal enamel unique to the Kangxi Dynasty.关键词
紫砂胎画珐琅/茶器/没骨花鸟/康熙Key words
Zisha with Painted Enamel/Tea Ware/Mogu Flower Painting/Kangxi分类
化学化工引用本文复制引用
姜郭霞,潘师敏,刘晓丽..传承·借鉴·融合[J].陶瓷,2024,(5):131-136,6.
