文物保护与考古科学2024，Vol.36Issue(3)：119-126,8.DOI:10.16334/j.cnki.cn31-1652/k.20230202822
19世纪中国外销油画的白色颜料研究
A study of white pigments of 19th-century export oil paintings from China:taking the oil painting of Shanghai Bund as an example
王斌 1余辉2
作者信息
- 1. 上海视觉艺术学院文物保护与修复学院,上海 201620
- 2. 复旦大学中华古籍保护研究院,上海 200433
- 折叠
摘要
Abstract
Export oil paintings,as a kind of early oil painting relics of China,not only depict the geographical landscapes and local customs of coastal cities in southern China,but also embody the techniques for making early local oil paintings in China.In this study,we used X-ray fluorescence spectrometry and scanning electron microscopy-energy spectrometry,in combination with Fourier transform infrared spectrometry and Raman spectrometry,to investigate the types and usages of white pigments used in Shanghai Bund,a 19th-century export oil painting from China.The results show that the white pigments used in the ground of this Qing Dynasty oil painting were mainly chalk(CaCO3)and quartz(SiO2),and that zinc carboxylate(metallic soap)—a reaction product of zinc-based pigments and oil media—was found in the paint layer.This study provides a reference basis for the research on materials and techniques and restoration and conservation of early export oil paintings from China.关键词
19世纪/外销油画/材料与技法/底子/颜料层/金属皂Key words
Nineteenth century/Export painting/Material and technique/Ground/Paint layer/Metallic soap分类
社会科学引用本文复制引用
王斌,余辉..19世纪中国外销油画的白色颜料研究[J].文物保护与考古科学,2024,36(3):119-126,8.
