南都学坛2024，Vol.44Issue(4)：32-40,9.
主流、传统、地域:谁的审美乌托邦
Mainstream,Tradition,and Regionalism:Whose Aesthetic Utopia
摘要
Abstract
The enduring popularity and frequent performances of the Henan Opera Chaoyanggou Village since its inception in 1958 can be attributed to the richness of its aesthetic connotations.This enduring cultural phenomenon underscores the profound and multifaceted layers of artistic expression embedded within the opera's narrative,music,and performance,thereby captivating audiences across generations.The superficial manifestation of the aesthetic framework within the Henan Opera Chaoyanggou Village is epitomized by a narrative that advocates the prevailing ethos of the"up to the mountains and down to the countryside"movement era.The intermediate framework of it involves the reinterpretation of traditional cultural and aesthetic paradigms,including land consciousness,emotive cognition,and aesthetic sensibilities,which have evolved within rural societies over the protracted backdrop of agrarian civilization.The deep framework underlying it comprises an exploration and contemplation of the utopian aspirations pervasive among the folk populace of the Henan region,driven by fervent endeavors for transformative change.This thematic underpinning further delves into the sentiment of attachment to the land,characterized by a narrative focus on resilience amidst struggle,as well as the cognitive disposition of familial ties with nuanced interconnectedness.Additionally,the opera intricately examines interpersonal dynamics,emphasizing strategies of tolerance,magnanimity,and empathy in the processing of relationships.It is precisely because of the support of multiple layers of connotations that audiences from different eras can have their own opinions and take what they need.关键词
《朝阳沟》/主流/传统/地域/乌托邦Key words
Chaoyanggou Village/mainstream/tradition/regionalism/utopia分类
社会科学引用本文复制引用
姚晓雷,陈玉璇..主流、传统、地域:谁的审美乌托邦[J].南都学坛,2024,44(4):32-40,9.基金项目
国家社会科学基金重大项目"百年乡土小说与乡村文化变迁的关系、启示研究及文献整理"(项目编号:19ZDA273). （项目编号:19ZDA273）
