建筑与文化Issue(7)：284-286,3.DOI:10.19875/j.cnki.jzywh.2024.07.086
生态美学视野下陶瓷装置中的现代"自然观"文化逻辑隐喻
The Metaphorical Construction of the Cultural Logic of the"Outlook on Nature"in Contemporary Ceramics from the Perspective of Ecological Aesthetics
摘要
Abstract
The concept of ecological aesthetics came into being in the 1980s,which inspired scholars from all walks of life to go back to the concept of"harmony between man and nature"in China.The article first expounds the ecological concept in the traditional context,which leads to the origin of the concept of ecological aesthetics.The core chapter takes the criticism of urban civilization,recycling of waste materials,harmonious coexistence between human and nature and other excellent case studies of theme creation as the argument,expresses the metaphor of ecological aesthetics in the cultural logic of modern"natural outlook"through contemporary ceramic works,and analyzes the impact of ecological aesthetics on artistic creation.In the process of artistic creation,we ignore the binary opposition between man and nature,which is regarded as the main object in traditional aesthetic thinking,and reconstruct the modern and sustainable relationship that coordinates the harmonious coexistence of man and nature.关键词
当代陶艺/生态美学/自然观/文化逻辑/隐喻Key words
contemporary ceramic art/ecological aesthetics/natural view/cultural logic/metaphor引用本文复制引用
陈健,张鑫,宋庆璐..生态美学视野下陶瓷装置中的现代"自然观"文化逻辑隐喻[J].建筑与文化,2024,(7):284-286,3.
