城市曲艺空间的时空演进特征及影响因素研究OA北大核心CHSSCDCSTPCD

Tianjin Quyi culture has been developing for a century,accumulating a rich social atmosphere and historical data.Currently,Tianjin has preserved traditional performing art spaces,such as tea houses and theaters,while also witnessing the rise of new performance venues,such as pubs and small theaters.This has led to an interplay of old and new Quyi performing arts forms,such as De Yun She and talk shows.However,most existing studies focus on macro-level layouts and changes,with few quantitative empirical studies on the causes and influencing factors of distribution layouts that integrate performing arts and geographic information. This study thoroughly analyzes the spatial and temporal evolution characteristics and spatial distribution patterns of Quyi performing spaces from the perspective of cultural geography.The analysis provides a scientific basis and theoretical support for the in-depth study of cultural spaces for performing arts,as well as for the planning and configuration of urban cultural spaces.Using historical data on the development of Quyi and related point of interest(POI)data,the characteristics of Quyi performance spaces in Tianjin,including historical spatial and temporal evolution,contemporary distribution patterns,and influencing factors of site selection,were analyzed through historical data review,historical evolution research,and spatial correlation analysis.The suitability of the environment for the development of Quyi spaces was scored.The characteristics of highly suitable areas in relation to the atmosphere of typical regional facilities and types of commercial businesses were analyzed. Results show that the distribution pattern of Quyi performing spaces in central urban areas of Tianjin is dominated by commerce,transportation,and location and their coupling effects.These three factors act as driving,assisting,and traffic factors for the development of Quyi performing spaces.Combined with historical spatial and temporal evolution and contemporary spatial patterns,it can be stated that:1)the origin,decline,and transference of Quyi performing spaces in Tianjin are closely related to specific urban construction histories in regions like Laochengxiang,Wudadao,and Quanyechang;2)in historical evolution and contemporary patterns,the distribution of Quyi performing spaces shows a strong correlation with business circles;3)Quyi performing spaces develop different cultural characteristics based on different histories and amenities.Additionally,high-concentration areas overlap to some extent with the urban cultural region of Tianjin,though regional features have changed somewhat.In ancient culture street areas,traditional culture remains influential,with performing spaces still dominated by traditional types.In the Quanye Market area,a combination of old and new performing types and spaces has gradually formed.In the Xiaobailou area,an increasing number of contemporary Quyi performing spaces have emerged,accompanied by the gradual dissimilation of space types.This has created a regional atmosphere where nostalgia collides with fashion performances,reflecting the selection and aesthetic preferences of contemporary audiences. In summary,Quyi performing spaces in Tianjin,as physical carriers of Quyi culture,exhibit evident historical continuity in spatial dimensions.Furthermore,new regional features emerge from the interaction of multiple physical space elements and cultural types.This study reveals the complex correlations between Quyi culture and history and society.It enriches the research perspective of urban cultural spaces and discloses the development laws for Quyi performances to penetrate and transfer to other industries.The results provide references for future approaches to cultural space planning and cultural industrial layout.