南阳师范学院学报2025，Vol.24Issue(2)：41-48,8.
论唐五代词学批评的多维建构及其文学史意义
On the Multi-Dimensional Construction of Ci Criticism in the Tang and Five Dynasties and Its Literary Historical Significance
摘要
Abstract
The criticism of Ci-poetry constructed by the"poets"of the Tang and Five Dynasties is a topic that scholars throughout history have paid less attention to.As the beginning of classical Ci criticism,the Tang and Five Dynasties literary crit-icism originated from poetic criticism and has its own characteristics:Firstly,in terms thematic criticism,it shows a shift from"poetry based on events"to"Ci is about events".Secondly,in terms of Ci music,the Tang and Five Dynasties Ci follows the principle of"reviewing the melody to regulate the singing",while also having an open view of Ci music like"sound following the melody"and"melody following the sound".Thirdly,in terms of aesthetics,the Tang and Five Dynasties Ci criticism values clar-ity and exaltation.Finally,the poetic function of the Tang and Five Dynasties is mainly to entertain guests,but it also has the purpose of political education.These critical viewpoints and ideas,although uncertain and metaphysical,reflect the original ap-pearance and primary form of theoretical advocacy in the field of Ci-poetry,which has an undeniable foundation and driving force for later Ci-poetry studies,and also has a significance in literary history as a bridge between the past and the future.关键词
唐五代/词学批评/多维建构/文学史意义Key words
the Tang and Five Dynasties/Ci criticism/multi-dimensional construction/literary historical significance分类
社会科学引用本文复制引用
祝云珠,黄崇艳..论唐五代词学批评的多维建构及其文学史意义[J].南阳师范学院学报,2025,24(2):41-48,8.基金项目
国家社会科学基金一般项目"中国古典词论中雅俗观的生成与嬗变研究"(19BZW009) （19BZW009）
