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老子美学思想在宋代景德镇青白瓷中的审美体现

侯崧岩 刘蕾

陶瓷Issue(1):104-106,3.
陶瓷Issue(1):104-106,3.

老子美学思想在宋代景德镇青白瓷中的审美体现

The Aesthetic Expression of Taoism in Jingdezhen Celadon Porcelain of the Song Dynasty

侯崧岩 1刘蕾2

作者信息

  • 1. 景德镇陶瓷大学 江西 景德镇 333000
  • 2. 景德镇艺术职业大学 江西 景德镇 333000
  • 折叠

摘要

Abstract

The Song Dynasty is called the"era of porcelain"and occupies a pivotal position in the history of Chinese ceram-ics.The celadon and white porcelain produced by Jingdezhen in the Song Dynasty is a vivid example of"lotus emerging from clear water,naturally unadorned,"with aesthetic imagery of"simplicity is the best,winning without being beauti-ful."Its elegant and classic shape,understated and restrained glaze color,and natural and simple decoration all embody Lao Zi's aesthetic view of simplicity and naturalness.This article analyzes the Lao Zi aesthetic ideas embodied in the shape,glaze color,and decoration of the celadon and white porcelain produced by Jingdezhen in the Song Dynasty,to appreciate the aes-thetic influence of Lao Zi aesthetics on ceramic art,and ultimately to interpret the enlightenment of Lao Zi aesthetics to contemporary ceramic art.

关键词

老子美学/景德镇/青白瓷/道法自然

Key words

Laozi Aesthetics/Jingdezhen/celadon porcelain/Tao follows nature

分类

化学化工

引用本文复制引用

侯崧岩,刘蕾..老子美学思想在宋代景德镇青白瓷中的审美体现[J].陶瓷,2025,(1):104-106,3.

陶瓷

1002-2872

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