湖北文理学院学报2025，Vol.46Issue(1)：40-45,6.
冠巾与苏轼的自我定位及形象塑造
Crowns and Su Shi's Self-poditioning&Image-building
摘要
Abstract
Su Shi's crowns and scarfs have stage characteristics and marking significance.Before going to Huangzhou after twenty,Su Shi took Confucian scholars and government officials as his position,liked to wear Confucian crowns,and also maintained his own Confucian crowns in his paintings.Relegated to Huangzhou,he changed into the Fujin,showing the identity of the wild man but also become their own unique dress at this time.To Yuanyou,he preferred Dongpo towel,a hermit's clothes,showing the heart of retreat.At this time he should wear a crown,but look forward to returning with the crown,regarding himself as a crowned moose.Then Dongpo towel became the symbol of him in Yuanyou period.Exiled to Danzhou,he wore a cane hat and coconut crown which is also the Daoism crown,and he called himself"a Taoist man with iron crown",thus leaving the image of Taoist monk Su Shi.Based on the above,we can see the dress preference and self-positioning of Su Shi in different stages in his life.It provides a new perspective for appreciation of Su Shi's image in literary works,and provide new materials for the shaping of contemporary Dongpo image.关键词
苏轼/冠/巾/身份形象Key words
Su Shi/crown/scarf/identity image分类
语言文学引用本文复制引用
王华争,朱春洁..冠巾与苏轼的自我定位及形象塑造[J].湖北文理学院学报,2025,46(1):40-45,6.基金项目
2023年海南省哲学社会科学规划重大专项(HNSK(ZDZX)23-06) （HNSK(ZDZX）
广西壮族自治区重大人才项目暨"八桂青年拔尖人才"培养项目(第一批)(ZX02110232124001) （第一批）
