巢湖学院学报2024，Vol.26Issue(5)：81-86,6.DOI:10.12152/j.issn.1672-2868.2024.05.011
徽州的精神气候:明清三雕艺术的社会语境探析
The Spiritual Climate of Huizhou:An Analysis of the Social Context of the Three Carving Arts in the Ming and Qing Dynasties
摘要
Abstract
The three carving arts of Huizhou represent an artistic form materialized from the spiritual needs of peo-ple within a specific social context and are closely tied to Huizhou's distinctive spiritual climate and social environ-ment.These arts reflect various aspects of the economic,cultural,and social development of the Huizhou region during the Ming and Qing dynasties.They embody a fusion of mind and matter and a cultural identity that evolves with the times.In addition,they offer a multidimensional display of the material culture of Huizhou during the Ming and Qing Dynasties,showcasing its vibrant appeal.Through an analysis of their context,we can delve deeply into the spiritual climate of Huizhou and the social context in which the three carving arts were formed,providing a clearer understanding of the historical characteristics rooted in that era.This exploration not only sheds light on the mechanisms through which social contexts influence art but also holds positive significance for the preservation and promotion of China's outstanding traditional culture.关键词
徽州/精神气候/三雕艺术/社会语境Key words
Huizhou/spiritual climate/three carving arts/social context分类
社会科学引用本文复制引用
王永虎,杨广红..徽州的精神气候:明清三雕艺术的社会语境探析[J].巢湖学院学报,2024,26(5):81-86,6.基金项目
安徽省高校哲学社会科学研究重点项目(项目编号:2023AH052082) （项目编号:2023AH052082）
