巢湖学院学报2024，Vol.26Issue(5)：87-93,7.DOI:10.12152/j.issn.1672-2868.2024.05.012
圣桑钢琴创作中的"折衷主义"理念探究
Exploring the Concept of"Eclecticism"in Saint-Saëns's Piano Compositions:A Case Study of Allegro Appassionato,Op.70
摘要
Abstract
The"eclecticism"advocated by Saint-Saëns in his piano compositions reflects both his adherence to classical techniques and his integration of contemporary trends,enabling his works to directly express the unique humanistic sentiments of French music.From an interdisciplinary perspective,this article takes Allegro Appassion-ato,Op.70,as its focus,analyzing its form and connotation through specific manifestations of creative thought and artistic value.The aim is to uncover the causes and developmental trajectory of the concept of"eclecticism".As a philosophical idea,"eclecticism"intertwines philosophical thinking and musical ideals,embodying"artistic synes-thesia"as a universally interconnected whole.This research provides novel insights and value references for the ex-ploration of piano composition styles,offering a fresh perspective for the innovative transformation and development of the musical arts.关键词
圣桑/折衷主义/钢琴创作/《热情的快板》Op.70Key words
Saint-Saëns/eclecticism/piano composition/Allegro Appassionato,Op.70分类
社会科学引用本文复制引用
陈炳琪,崔静瑶..圣桑钢琴创作中的"折衷主义"理念探究[J].巢湖学院学报,2024,26(5):87-93,7.基金项目
广西壮族自治区教育厅人文社会科学项目(项目编号:2024KY0468) （项目编号:2024KY0468）
