现代电影技术Issue(2)：12-17,31,7.DOI:10.3969/j.issn.1673-3215.2025.02.002
以配音表演驱动角色设计:动画电影《哪吒之魔童闹海》角色塑造的艺术真实与制作流程
Character design driven by voice acting:Artistic reality and production pro-cess of Ne Zha 2
摘要
Abstract
In recent years,Chinese animated films have made remarkable progress in content creation,production tech-nologies,and industrialized pipelines,emerging as a pivotal force in the global animation industry.To investigate the mechanisms and workflows through which voice acting shapes animated characters and provide actionable insights for fur-ther development of domestic animated films,this study systematically analyzes the animated feature Ne Zha 2 by synthe-sizing media interviews with its director,voice director,and voice actors.The research delves into how the film leverages voice performance to drive character portrayal,dissecting its artistic philosophy and production workflow.Findings demon-strate that Chinese animated film's adoption of voice-first production pipeline,therefore shifting voice recording from tradi-tional post-production to a pre-animation core phase,has catalyzed innovations in character design and vocal perfor-mance.This methodology redefines the generative logic of character vitality,and establishes a new benchmark for the in-dustrialization of Chinese animation.关键词
配音表演/动画角色设计/国产动画电影/哪吒之魔童闹海/先配音后动画Key words
Voice Acting/Animation Character Design/Chinese Animated Films/Ne Zha 2/Voice-First Production Pipeline分类
艺术学引用本文复制引用
刘丽..以配音表演驱动角色设计:动画电影《哪吒之魔童闹海》角色塑造的艺术真实与制作流程[J].现代电影技术,2025,(2):12-17,31,7.基金项目
2024年四川省高等学校人文社会科学重点研究基地巴蜀文化国际传播研究中心"创新扩散理论视角下巴蜀文化传播的海外社交网络分析"(2024YB23). （2024YB23）
