城市建筑2025，Vol.22Issue(7)：156-160,5.DOI:10.19892/j.cnki.csjz.2025.07.35
图像学视角下桂南地区广府民居建筑灰塑装饰艺术研究
Study on the Decorative Art of Gray Plaster Sculpture in Guangfu Vernacular Architecture in Southern Guangxi from the Perspective of Iconography
庞玥 1杨佳凯 1覃露仪2
作者信息
- 1. 广州大学建筑与城市规划学院
- 2. 南宁轨道地产集团有限责任公司
- 折叠
摘要
Abstract
In the southern Guangxi region,the traditional villages of the Cantonese ethnic group and their gray plaster decoration art constitute an integral part of Guangxi's cultural heritage.Based on field investigation,starting from the iconographical perspective,the paper uses Erwin Panofsky's three-tiered theory of iconography to explore the artistic forms and cultural connotations of gray plaster decorations on Guangfu architecture in southern Guangxi,as well as their symbolic significance and societal aspirations in Guangfu culture from three layers of"pre-iconographical description","iconographical analysis",and"iconological interpretation".A series of strategies for preserving and inheriting the gray plaster decorative components in Guangfu vernacular architecture have been proposed,offering a fresh perspective on cultural heritage conservation in southern Guangxi and presenting innovative ideas for the modern application of traditional artistic forms.关键词
图像学/桂南地区/广府建筑/灰塑Key words
iconography/southern Guangxi region/Guangfu architecture/gray plaster decoration分类
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庞玥,杨佳凯,覃露仪..图像学视角下桂南地区广府民居建筑灰塑装饰艺术研究[J].城市建筑,2025,22(7):156-160,5.
