江苏大学学报（社会科学版）2025，Vol.27Issue(2)：62-71,10.DOI:10.13317/j.cnki.jdskxb.2025.15
滤镜下的数字自我:基于社交媒体滤镜的程式化现象考察
Digital Self behind the Filter:A Study of Programmatic Phenomena Based on Social Media Filters
摘要
Abstract
As an emerging digital medium,filters have created a new construction pattern in image language.Their emergence asserts the evolution of media visual language in the digital field and reveals a new form of infrastructure in the digital society.The emergence of filter"programming"resulted from the symbol generation mechanism and is exercising influence on contemporary media aesthetic culture.The mechanical properties have made filters"programmed"since their inception,which in turn affects the current image language and personal behaviors,and filters have evolved from mere visual tools to decisive media tools.So,to use filters reasonably,it is necessary to further strengthen the supervision while encourage the online platforms to uphold value rationality on the one hand,and to cultivate the creative soil,explore traditional cultural aesthetics,and give users more aesthetic choices on the other.关键词
媒介/程式化/景观社会/审美符号/平台权力Key words
media/programmatization/landscape society/aesthetic symbols/platform rights分类
管理科学引用本文复制引用
李冉,孙为..滤镜下的数字自我:基于社交媒体滤镜的程式化现象考察[J].江苏大学学报（社会科学版）,2025,27(2):62-71,10.基金项目
江苏省社会科学基金年度重点项目(24XWA001) （24XWA001）
江苏省研究生科研创新计划项目(KYCX24_2457) （KYCX24_2457）
