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论明清小说人物"屏"后转出的出场方式

李宁宁

湖北文理学院学报2025,Vol.46Issue(3):48-54,7.
湖北文理学院学报2025,Vol.46Issue(3):48-54,7.

论明清小说人物"屏"后转出的出场方式

Ways to Characters'Appearing on the Stage from the Back of a Screen in Novels of the Ming and Qing Dynasties

李宁宁1

作者信息

  • 1. 中南民族大学 文学与新闻传播学院,湖北 武汉 430074
  • 折叠

摘要

Abstract

Characters'appearing on the stage from the back of a screen has been used many times in the plot development of the novels from the Ming and Qing Dynasties.According to the different backgrounds,it can be divided into three kinds:first,a classic one that represented by a screen or a hillside;second,a random one that is decided by the plot;third,a figure;fourth,side.Among the characters,someone appeared only once,never to be seen again,as a coherent role in the plot development;someone,related to the following plots,brought readers a sense of suddenness,or drive the development of the story;someone,who made his first appearance,would provide a new perspective to describe a new role.As for A Dream in Red Mansions,Wang Xifeng"smiled before words";Hua Xiren and Jia Baoyu came on the stage one after another.Such simple set of performances get rid of the formula,close to the natural state of life.

关键词

明清小说/人物出场/屏风/"屏"后转出

Key words

the novels from the Ming and Qing Dynasties/characters'appearing on the stage/a screen/coming out from the back of a screen

分类

语言文学

引用本文复制引用

李宁宁..论明清小说人物"屏"后转出的出场方式[J].湖北文理学院学报,2025,46(3):48-54,7.

湖北文理学院学报

2095-4476

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