工程研究——跨学科视野中的工程2025，Vol.17Issue(2)：206-221,16.DOI:10.3724/j.issn.1674-4969.20250038
面向造物本身的设计哲学反思
Philosophical Reflections on Creation-Oriented Design Itself
摘要
Abstract
In the context of the current digital intelligence era,technology is developing at an unprecedented pace and deeply integrating into various fields.The traditional concept of creation faces severe challenges in such a technological wave,among which the misalignment of cognitive thinking and value alignment is particularly prominent.In the field of design and creation,issues such as immoderate design and creation,neglect of the essential characteristics of objects,difficulty in matching technical craftsmanship with design concepts,and being trapped by technical bottlenecks frequently occur.The development of digitalization has blurred the boundaries between the physical world and the virtual world,making the relationship among humans,traditional creation technologies,and cultural connotations difficult to coordinate. To deeply analyze these problems and explore solutions,this paper comprehensively uses research methods of textual interpretation and field evidence.It analyzes"objects"from multiple dimensions,deconstructing their physical functional attributes,social and legal connotations,and cultural and spiritual implications.In terms of physical functional attributes,the physical characteristics of"objects"serve as the basis for the functions of material existence.From the utilization of the hardness of stone tools in the Stone Age to the development of various material characteristics in contemporary industry,physical characteristics have always been the material fulcrum of human technological revolution.However,in contemporary industrial civilization,there are also phenomena of functional alienation caused by excessive pursuit of material desires.At the level of social and legal connotations,the value alignment of traditional"objects"is regulated by the ritual and legal system."Vessels contain rituals,and creation is based on laws".Objects reflect the social hierarchical order through elements such as patterns,colors,and shapes."Ritual"and"law"are interdependent,jointly making objects the carriers of social ritual and legal values.From the dimension of cultural and spiritual implications,"objects"carry non-material representations such as cultural spirit and artistic aesthetics.Ancient creations often embody the emotions and ideals of literati,pursuing formal beauty and spiritual connotations,reflecting the idea of"the way is carried by vessels".Through the analysis of these three dimensions,the traditional concept of"the co-xistence of Dao and tools"in creation is revealed. Based on the above research,the article proposes an innovative path of"cultural gene decoding-technical ethics reconstruction-digital media translation".Cultural gene decoding aims to deeply explore the cultural connotations in traditional creations and extract their core genes.Technical ethics reconstruction requires re-examining and constructing the ethical norms for technology application in the process of technological development to ensure that technology serves human needs and the sustainable development of society.Digital media translation uses the power of digital technology to present and spread traditional creation culture in new forms.At the same time,a three-dimensional collaborative cognitive framework of"natural ethics-craft wisdom-digital ecology"is constructed,emphasizing that the practice of creation should not be limited to material development but should pay more attention to the activation of cultural genes and reflection on the application of digital materials. The research further analyzes that the cultural transformation of creation in the intelligent era faces many challenges,among which the alienation trap of digital symbol consumption has a serious impact on traditional creation culture.To achieve the transformation,it is necessary to use blockchain authentication technology to clarify the ownership and value of cultural heritage resources,and utilize virtual reality technology to achieve the empathetic transformation of heritage resources,enabling people to feel and understand traditional culture more deeply.In this process,it is necessary to pay attention to reconstructing the contemporary expression of"the way of artifacts is carried on the road"in the dynamic equilibrium of"material cycle-emotional resonance-ethical reconstruction".The material cycle reflects the pursuit of rational use of resources and sustainable development.Emotional resonance emphasizes evoking the emotional connection between people and objects through design,making objects not only physical existences but also emotional sustenance.Ethical reconstruction ensures that the correct value orientation and moral norms are followed in the process of creation. The research results of this paper provide an interdisciplinary practical solution for the living inheritance of traditional creations.Through the integration of multiple disciplines,while empowering with technology,it safeguards cultural subjectivity and avoids losing the foundation of traditional culture in the process of technological development.This helps to promote the creative transformation of creation wisdom in the new civilization form of human-machine symbiosis,providing theoretical support and practical guidance for solving the dilemmas in the contemporary design and creation field and promoting the sustainable development of Chinese creation culture,which is of great significance for promoting the development and progress of human civilization.关键词
物性/造物文化/价值对齐/设计哲学/数字物质性Key words
materiality/artifact culture/value alignment/design philosophy/digital materiality引用本文复制引用
谢旭斌,贺怡雯,郭睿旻..面向造物本身的设计哲学反思[J].工程研究——跨学科视野中的工程,2025,17(2):206-221,16.基金项目
中南大学"高端智库"项目(2022znzk12) （2022znzk12）
国家社科基金后期资助重点项目(23FZWA017) （23FZWA017）
