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中国西部电影40年创作与理论互动反思

张阿利 苗学慧

南都学坛2025,Vol.45Issue(3):43-49,7.
南都学坛2025,Vol.45Issue(3):43-49,7.

中国西部电影40年创作与理论互动反思

Reflection on the Interaction Between 40 Years of Creation and Theory in Chinese Western Cinema

张阿利 1苗学慧1

作者信息

  • 1. 西北大学 文学院,陕西 西安 710127
  • 折叠

摘要

Abstract

From 1984 to the present,Chinese western cinema has traversed a 40-year development trajectory.This is a rare film movement in Chinese cinema and even global cinema that has a clearly defined origin.Over these four decades,Chinese western cinema has forged an important chapter in the history of Chinese cinema through the dynamic interaction between creative practice and theoretical discourse.Throughout its 40-year history,Chinese western cinema has exhibited distinctive phenomena of interaction between creation and theory at each stage of its development.This journey began with early theoretical debates and the establishment of its identity,progressed to gaining international acclaim in the realm of film production,and later moved into the theoretical exploration of New Western cinema and the development of western genre films.Thus,the 40-year history of Chinese western cinema is simultaneously a history of the relationship between theory and creative practice.

关键词

中国西部电影/电影创作/电影理论

Key words

Chinese western cinema/film creation/film theory

分类

社会科学

引用本文复制引用

张阿利,苗学慧..中国西部电影40年创作与理论互动反思[J].南都学坛,2025,45(3):43-49,7.

基金项目

陕西省电影评论和电影理论研究基地中国西部电影研究基地、陕西省社会科学基金版本理论研究专项项目"西部电影版本整理与研究"(项目编号:2023BB01). (项目编号:2023BB01)

南都学坛

1002-6320

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