徐州工程学院学报（社会科学版）2025，Vol.40Issue(1)：54-59,6.
嵌套、复调、空缺:电影《罗生门》的叙事策略
Nesting,Polyphony,and Absence:A Discourse on the Narrative Strategies in the Film Rashomon
张丰 1时曙晖1
作者信息
- 1. 伊犁师范大学 中国语言文学学院,新疆伊宁 835000
- 折叠
摘要
Abstract
This paper examines the narrative strategies employed in Akira Kurosawa's film Rashomon,a suspense film adapted from Ryūnosuke Akutagawa's short stories Rashomon and In a Grove.The film ingeniously intertwines the plot of In a Grove within the narrative framework of Rashomon,thereby constructing a nested narrative structure through layered narration.The multiple accounts of the samurai's death unveil the multifaceted characters and themes,exemplifying polyphonic narration's capacity for dialogism and subjectivity.The film's ending,which omits the investigator figure and truth,directs its implications towards the uncertainty of reality and the complexity of human nature.Rashomon is a cinematic text which reflects on the art of storytelling itself,and activates a plurality of interpretive possibilities through unconventional narrative strategies.关键词
电影《罗生门》/叙事策略/嵌套/复调/空缺Key words
Rashomon/narrative strategies/nesting/polyphony/absence分类
艺术学引用本文复制引用
张丰,时曙晖..嵌套、复调、空缺:电影《罗生门》的叙事策略[J].徐州工程学院学报（社会科学版）,2025,40(1):54-59,6.
