巢湖学院学报2025，Vol.27Issue(1)：69-74,6.DOI:10.12152/j.issn.1672-2868.2025.01.010
解构、杂糅与互文:当代国产动画电影女性形象的后现代表征
Deconstruction,Hybridity,and Intertextuality:Postmodern Representations of Female Characters in Contemporary Chinese Animated Films
摘要
Abstract
Since the beginning of the new century,Chinese animated films have gradually constructed postmodern representations of female characters within the context of cultural globalization and digital technological innovation.This process unfolds through three perspectives:firstly,by deconstructing traditional narrative paradigms to break free from patriarchal discourse,thereby establishing a multidimensional interpretation of the female subject;second-ly,by blending cross-cultural symbols to facilitate a dialogue between traditional motifs and cyborg aesthetics,thereby reconstructing fluid gender identities;and thirdly,by employing hypertextual intertextuality to construct a polysemic narrative network,thereby dissolving the definitive referentiality of visual texts.Throughout this process,both the binary cognitive structure of Orientalism and the male gaze are subverted,while a new spectrum of female characters with cultural subjectivity is shaped through the digital empowerment of traditional cultural translation.This practice not only reflects the paradigm shift in contemporary Chinese gender discourse but also reveals the dy-namic relationship between cultural production and identity politics in the digital age.关键词
国产动画电影/女性形象/后现代表征Key words
Chinese animated films/female characters/post-modern representation分类
社会科学引用本文复制引用
许琬婷..解构、杂糅与互文:当代国产动画电影女性形象的后现代表征[J].巢湖学院学报,2025,27(1):69-74,6.基金项目
安徽省高校哲学社会科学研究重点项目(项目编号:2022AH051770、2023AH052161) （项目编号:2022AH051770、2023AH052161）
安徽省质量工程重大教研项目(项目编号:2021zdjgxm022) （项目编号:2021zdjgxm022）
