成都大学学报（社会科学版）Issue(3)：110-128,19.
中国古代花鸟画的发轫、自觉与拓展
The Origin,Self-Consciousness and Expansion of Ancient Chinese Flower-and-Bird Painting:A Brief Introduction to Flower-and-Bird Painting from Wei and Jin dynasties to the Five Dynasties
摘要
Abstract
Chinese ancient flower-and-bird painting evolves from the inception to the pre-peak stage from the Wei and Jin dynasties to the Five Dynasties.The Wei and Jin dynasties are the founding period of ancient Chinese flower-and-bird painting,the paintings of this period have an independent space,presenting the objects of the flowers and birds independently,and the painters and the viewers can appreciate these objects with a purely spiritual aesthetic attitude.The Tang dynasty is the period of self-awareness and formal establishment of flower-and-bird painting,and many famous artists and masterpieces specialized in flower-and-bird painting appear.The Five Dynasties is a period of expansion,the paintings are very rich in the depiction of the objects,and the artistic language is increasingly conscious developed,laying a solid foundation for the arrival of the peak of flower-and-bird painting in the Song dynasty.关键词
花鸟画/发轫/自觉/拓展/魏晋至五代Key words
flower-and-bird painting/origin/self-consciousness/expansion/from the Wei and Jin dynasties to the Five Dynasties分类
艺术学引用本文复制引用
薛富兴..中国古代花鸟画的发轫、自觉与拓展[J].成都大学学报（社会科学版）,2025,(3):110-128,19.基金项目
国家社会科学基金一般项目"'科学认知主义理论'的完善与本土化应用"(项目编号:23BZX116). （项目编号:23BZX116）
