中北大学学报（社会科学版）2025，Vol.41Issue(3)：1-9,9.DOI:10.62756/xbsk.1673-1646.2025043
作为世纪象征的风景与"物"的"有""无"
Landscape as the Symbol of the Century and the"Being"and"Nothingness"of"Matter"
刘旭1
作者信息
- 1. 华东师范大学中国语言文学系,上海 200241
- 折叠
摘要
Abstract
Lu Xun constructed on allegory of nationalism in the modern Chinese imagination of the 20th century,which embraced the landscape yet was suppressed beneath its multiple layers of landscape.In contrast,Zhao Shuli entirely dispensed with the landscape,thereby transcending modern literature and putting an end to the myth of nationalism.China's new century demands a genuine"restoration"—a return to the reality of"matter"by rectifying inverted cognitive mechanisms.Takeuchi Yoshimi provided precise philosophical positioning for both Lu Xun and Zhao Shuli.From Lu Xun's"nothingness"of despair to Zhao Shuli's"collective being",the mission of Chinese literature in the new century is to reconstruct the civilizational light with the East as the subject,grounded in the"chaotic matter"and the"real",after dispensing with or discerning the essence of the landscape.关键词
鲁迅/赵树理/竹内好/风景/国民性/世纪象征Key words
Lu Xun/Zhao Shuli/Takeuchi Yoshimi/landscape/national character/symbol of the century分类
社会科学引用本文复制引用
刘旭..作为世纪象征的风景与"物"的"有""无"[J].中北大学学报（社会科学版）,2025,41(3):1-9,9.
