作为世纪象征的风景与"物"的"有""无"OA

Lu Xun constructed on allegory of nationalism in the modern Chinese imagination of the 20th century,which embraced the landscape yet was suppressed beneath its multiple layers of landscape.In contrast,Zhao Shuli entirely dispensed with the landscape,thereby transcending modern literature and putting an end to the myth of nationalism.China's new century demands a genuine"restoration"—a return to the reality of"matter"by rectifying inverted cognitive mechanisms.Takeuchi Yoshimi provided precise philosophical positioning for both Lu Xun and Zhao Shuli.From Lu Xun's"nothingness"of despair to Zhao Shuli's"collective being",the mission of Chinese literature in the new century is to reconstruct the civilizational light with the East as the subject,grounded in the"chaotic matter"and the"real",after dispensing with or discerning the essence of the landscape.