中北大学学报（社会科学版）2025，Vol.41Issue(3)：18-27,10.DOI:10.62756/xbsk.1673-1646.2025045
以画为媒:抗战时期《晋察冀画报》的视觉叙事研究
Painting as a Medium:Research on the Visual Narrative of Jin-Cha-Ji Pictorial During the Anti-Japanese War
摘要
Abstract
Taking the wood cuts,cartoons,cloth painting and other art works in Jin-Cha-Ji Pictorial as the objects of study,this paper analyse the visual narratives from three levels:expression form,narrative composition and construction mechanism.The art works in the pictorial used visual reproduction of war scenes,political image shaping and description of the border areas to implant the meaning of family and coun-try in the symbols of memory,arousing the public's emotional resonance from superficial cognition to in-depth perception,and thus achieve publicity and guidance within the scope of the whole nation.Thus,the core of the visual narrative of anti-war art works is not only embodied in the form of its communication con-tent,but also lies in the production of symbols and emotions,which are effectively embedded in the construc-tion of historical memory and revolutionary mobilization,and have important practical significance and value.关键词
《晋察冀画报》/革命美术/视觉叙事/情感动员Key words
Jin-Cha-Ji Pictorial/revolutionary art/visual narrative/emotional mobilization分类
社会科学引用本文复制引用
郭延龙,李萌..以画为媒:抗战时期《晋察冀画报》的视觉叙事研究[J].中北大学学报（社会科学版）,2025,41(3):18-27,10.基金项目
国家社会科学基金重大项目:中国非物质文化遗产的数字典藏、智能创意平台设置与全球化传播(19ZDA336) （19ZDA336）
