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从"东方美人"到"全国风尚":清代外销瓷仕女图的跨文化传播与接受

王书遥 杨薇

陶瓷Issue(5):88-90,3.
陶瓷Issue(5):88-90,3.

从"东方美人"到"全国风尚":清代外销瓷仕女图的跨文化传播与接受

From Oriental Beauty to National Fashion:The Cross-cultural Transmission and Reception of Lady Portraits on Export Porcelain in the Qing Dynasty

王书遥 1杨薇2

作者信息

  • 1. 景德镇陶瓷大学 江西 景德镇 333403
  • 2. 景德镇艺术职业大学 江西 景德镇 333403
  • 折叠

摘要

Abstract

As a major commodity in the trade between China and the West,export porcelain not only has extremely high commercial value but also profound historical and cultural value.However,most researchers tend to focus on the study of the patterns of the figures of ladies themselves,lacking research on the global shared aesthetic trends they embody.This article takes the figures of ladies on export porcelain of the Qing Dynasty as the main research object,analyzes the images of ladies in traditional Chinese painting,and explores the symbolic construction methods,transmission media,and the transformation of art exchanges between China and the West in the images of ladies on export porcelain.Thus,it reveals the cross-cultural communication and cultural feedback in the process of the integration of Chinese and Western elements in the figures of ladies on export porcelain.

关键词

外销瓷/仕女图/文化传播/文化融合

Key words

Export porcelain/Ladies'pictures/Cultural dissemination/Cultural integration

分类

化学化工

引用本文复制引用

王书遥,杨薇..从"东方美人"到"全国风尚":清代外销瓷仕女图的跨文化传播与接受[J].陶瓷,2025,(5):88-90,3.

陶瓷

1002-2872

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