中北大学学报（社会科学版）2025，Vol.41Issue(4)：24-29,6.DOI:10.62756/xbsk.1673-1646.2025076
陕北说书的跨媒介演述实践:以《黑神话:悟空》中的《黄风起兮》为例
Transmedia Performance Practices in Northern Shaanxi Storytelling:An Example of The Rise of the Yellow Wind from Black Myth:Wukong
摘要
Abstract
Unlike the traditional oral improvisation of northern Shaanxi storytelling(Shuoshu),The Rise of the Yellow Wind whose lyrics written by game producer Feng Ji,were revised and set to music by Xiong Zhuying following the traditional style of northern Shaanxi storytelling.This"scholar+performer"collaboration model has,to some extent,transformed the creative process of northern Shaanxi storytelling,establishing a composite narrative structure of"game plot-storytelling performance-player interaction".This cross-media narrative approach bridges the gap between traditional culture and modern gaming,reflecting the reconstruction of traditional oral literature in the digital age and expanding the dissemination channels for northern Shaanxi storytelling.The success of The Rise of the Yellow Wind is also attributed to its widespread circulation on internet platforms,which spurred a wave of fan creations and imitations,further enhancing the influence of northern Shaanxi storytelling and offering new ideas for the inheritance and development of traditional arts.关键词
《黑神话:悟空》/《黄风起兮》/熊竹英/陕北说书Key words
The Black Myth:Wukong/The Rise of the Yellow Wind/Xiong Zhuying/northern Shaanxi storytelling分类
教育学引用本文复制引用
冯文开,王淏..陕北说书的跨媒介演述实践:以《黑神话:悟空》中的《黄风起兮》为例[J].中北大学学报（社会科学版）,2025,41(4):24-29,6.基金项目
国家社会科学基金重大项目:中国史诗研究百年学术史(18ZDA267) （18ZDA267）
内蒙古自治区高等学校创新团队发展计划(NMGIRT2209) （NMGIRT2209）
